Hawthorne Heights

A Song That Changed My Life: Hawthorne Heights on Saves the Day

Band Members: JT Woodruff, vocals and guitar; Matt Ridenour, bass and vocals; Mark McMillon, guitar, backing vocals, and Chris Popadak, drums

The Storyteller: JT Woodruff

The Song: “Shoulder to the Wheel” by Saves the Day

With its earnest, get-in-the-car-and-go sing-along chorus and propulsive, hook-laced rhythm, Saves the Day’s “Shoulder to the Wheel” captured the house-show spirit of the late ‘90s New Brunswick underground. The track — a melodic punk snapshot of believe-in-yourself ambition — awakened bands to an escapist state of mind, pushing them beyond basement parties and onto the open road.

The Background:

Always leaning toward movement, Hawthorne Heights — an anchor of the Midwest emo-core punk scene since the early aughts — have continued to evolve, expanding their harmonious choruses and surges of cathartic screams across seven studio albums with threads of alt-rock textures. That restless evolution of sound, combined with touring, has galvanized the band as one of the defining acts of the hardcore scene.

For frontman JT Woodruff, his aversion to daily norms — coupled with a Jack Kerouac On the Road “nowhere to go but everywhere” mindset — first flickered to life growing up in his hometown of St. Mary’s, West Virginia. He recalls, specifically January 1999, the moment when he first connected with “Shoulder to the Wheel” — its melodic alacrity and rhythmic drive hitting him immediately. Moreover, the song’s believe-in-yourself, hit-the-road chant became a directive: he sought out a copy of BYOFL (Book Your Own F*cking Life) as a manual for his wanderlust. The pairing — song plus DIY guide — established JT’s mantra: seize every opportunity and never hold back; just go.

That early mix of song plus guide set the tone for decades of music and life on the road. Now — as Hawthorne Heights celebrates the 20th anniversary of If Only You Were Lonely with an international Lonely World Tour — the experience has come full circle, a reminder that the open road can still lead anywhere.

The Story:

For JT, the energy of the road and the restless, wandering spirit embedded in “Shoulder to the Wheel” quickly became his compass for navigating the rugged terrain of early indie-rock touring. What began as a dream didn’t stay abstract for long — the song triggered a transformational shift. It wasn’t just about having fun or discovering newfound freedom; it revealed the physical grit and mental fortitude required for emerging acts to survive and thrive in the pre-ultrafast broadband Internet era.

“This song specifically made me want to buy a van, grab my band and friends, and just hit the open road. And that’s what I did.”

Knowing enthusiasm alone wouldn’t be enough, JT leaned on his fresh hardbound edition of BYOFL, Book Your Own Fucking Life, a DIY touring guide before everything was readily available online. With it, he had both the practical roadmap and the musical conviction to chase something bigger.

By the summer of 1999, JT bought a van and booked an entire tour. Long drives, nights on the road, and a steady flow of local shows forged resilience, cohesion, and deep friendships — the kind that help carry the mental weight of touring. He elaborates, “Saves The Day introduced me to the New Jersey music scene in general. Back then, the bills on shows were so diverse. Through them, I found bands like Lifetime, New Found Glory, and Reggie and The Full Effect. It made me scour the entire Equal Vision roster.”

That dreamy, out-of-the-window state watching the world pass by eventually morphed into more than a touring philosophy — it influenced songwriting. JT moved toward internal, personal themes that reflected Quixotic philosophies. One lyric in particular struck him: "Get us as far as far can be, get us away from tonight.”

During these long stretches of travel, buried dreams often rise under an open sky. JT explains, “The interstate can take you anywhere in the United States, which is why it is so beautiful. I've lost myself out there and found myself at the same time.” The underlying On the Road “keep rolling under the stars” mindset — restless and expansive — became his motto for both touring and life: “The world is out there to chase your dreams — you have to go after them; they won’t chase you.”

Even now, decades later, JT returns to the song. “A few days ago, I listened to it on a cruise ship with my wife of 20 years. I still feel everything I felt the first time I heard it — which is why it is so magical.” For JT, dreams rarely come easy; they demand initiative, courage, and persistence — all stemming from within.

He concludes: “Chase every dream you have ever had. It will help you tear down all the walls and set aside excuses. Just get in the van, so to speak. Let it rip — gun it to 70 mph on the interstate.”

Megan Perry

Megan Perry Moore

Photographer | Author | Music Essayist

Megan Perry Moore is a Seattle and Los Angeles-based photographer and author with an extensive portfolio documenting well-known artists and musicians throughout the industry. She is currently a contributor to Music Connection Magazine, providing live coverage, industry profiles, and regular features focused on the technical and creative pulse of the modern music scene (A Song That Changed My Life; In the Studio).

Megan’s professional perspective is informed by a deep history within the studio system, having begun her career at Moir/Marie Entertainment under veteran manager Steve Moir and later serving as Assistant Studio Manager at the legendary NRG Recording Studios. This foundational experience, combined with her work as a publicist for gear companies and producers, allows her to navigate the private creative spaces of artists with a unique technical fluency.

Her career is backed by a prestigious editorial history, including photography and features for Rolling Stone, SPIN, Electronic Musician, Guitar Player, and various indie publications. For Alternative Press, she notably served as the In the Studio columnist and lead photographer, providing an intimate look at the recording process of many influential bands.

She is the author of two definitive books: How to Be a Record Producer in the Digital Era (Billboard Books / Penguin Random House) and WIRED: Musicians’ Home Studios (Rowman & Littlefield), featuring artists such as Snoop Dogg, No Doubt, and Sonic Youth. Megan is currently in production on WIRED v2.0, a follow-up series documenting a new generation of artists in their personal recording environments.

Megan maintains a private workroom and archive in Seattle, where she continues to develop custom, large-scale photographic installations. Her archive spans a diverse range of subjects, from an extensive collection of indie high-art rock photography to profound nature and wildlife studies—including specialized work in partnership with the Snow Leopard Trust for their annual conservation initiatives.

https://www.meganperry.com
Previous
Previous

Story of the Year

Next
Next

The Bloody Beetroots